I've got mixed feelings about this. It is a BLATANT, SHAMELESS Leftover Crack ripoff. It's also pretty good. Pretty well written, pretty rockingly executed. Pretty damn good if you can ignore the fact that its been done already, and better.

Ha, pretty good. Fun shit. There are some really shitty tracks. Alligator is worse than I ever thought Billie Joe would be capable of, at least if I pretend the U2 thing never happened. 3.7 is about right.

HOly God, I'm glad I decided to get this. This is a legendary cd, among London Calling maybe. It is completely psychotic at points, but to some extent I can imagine they're just being antagonistic for the sake of it, so I don't know, whatever. Disregarding how any person might feel about the opinions presented, its the product they've offered is eclectic, catchy, emotional, genuine, sad, uncompromising, infuriating, inspiring, a fuckload of other adjectives. I'm restraining myself, I wanna gush on about this cd even longer. Do yourself a fucking favor.

Enough good songs to warrant purchase after you get Fuck World Trade and No Gods, No Managers. Has my preffered version of Born To Die, otherwise good but nonessential.

I saww these dudes opening for the queers in KC, and HOLY FUCK, they were worth the honor. The cd's not as good as their show, and I kinda wish they'd sell more of them because my computer sucks balls and won't download 'em. Nonetheless, they do great shit, in a way that I haven't really heard done before so I'm telling you to buy this.

Alright, I wanna get something out of the way here. The whole Gay Rude Boys Unite/attack on Hellcat was pretty ridiculous. I've been listening to Hellcat bands for a long time, and I never picked up on anything remotely homophobic. To accuse a whole label of bigotry based on a few vague lyrics by one of their less popular bands in pretty gay (tee hee). Also I didn't couldn't really make a lot of sense out of that rant on the liner notes about columbine (They go on as if it was racially motivated. Wasn't it cause they listened to marilyn manson and watched NBK? Or maybe because they were crazy douchebags with stupid douchebag parents? But I digress...). Anyways, (sorry, I know that was a lot) The disc is pretty tits. Not gonna make a lot of top 5 lists like, say, Fuck World Trade or No Gods, No Managers-plus the credibility of the whole thing is kind of diminished (to me, at least) due to the previously mentioned gripes, so I'll give it 3 stars. Crack city rockers is boss, so are nazi white trash and TG, TB, & TLC.

There is a personality type that is virtually unsatisfiable. If, when considering something, they can find anything in any way inconsistent with what they feel they are entitled to, they will visciously and completely reject that thing. It stands to reason that these people would be attracted to Leftover Crack, which explains about every 1-3 star review you see for this disc. Stylistically, its slightly less abrasive than what loc fans are accustomed to, in content, its exactly what you would expect, except maybe a little hopeful. Still angry, smart, uncompromised, passionate and fantastic. Plus, Jello jumps in, how boss is that? The Citizen Fish side is pretty good, lotsa horns. Glad to see they omitted rancid from the lyrics in Clear Channel. Rancid's great, goddamnit.

This band never declines. On their gajillionth album, the meteors get a little heavier and harder, but it's just as much fun as ever. Among the best of their catalogue.

Fucking amazing. The Meteors later shit is all outstanding, and this is as well. Four stars because you should get Hymns for the Hellbound first, but wreckin' crew before that. That one is perfect.

Damn, I got to the crust party late, but I'm glad the hilarious Wierdest-clip-art-collage-I've-ever-seen cover art caught my eye, cuz... wow. Fucking amazing. This is punk evolved, true, pure, and uncompromised. Also the catchiest shit you've ever heard. If there's any other ignorant douchebags like me that somehow missed this for almost a decade, get it